"Reflections of a Longtime Musician." The Instrumentalist 42, no.
#THE ART OF FRENCH HORN PLAYING BY PHILIP FARKAS PROFESSIONAL#
The Art of Musicianship: A Treatise on the Skills, Knowledge, and Sensitivity Needed by the Mature Musician to Perform in an Artistic and Professional Manner. Wind Music, Bloomington IN, ©1962.Ī Photographic Study of 40 Virtuoso Horn Players' Embouchures. The Art of Brass Playing: A Treatise on the Formation and Use of the Brass Player's Embouchure. The Art of French Horn Playing: A Treatise on the Problems and Techniques of French Horn Playing. Dee, Philip Farkas: The Legacy of a Master, The Instrumentalist, Northfield IL, ©1990.įako, Nancy Jordan, Philip Farkas and His Horn: A Happy, Worthwhile Life, Crescent Park Music Publications, Elmhurst IL, ©1998. The annual Philip Farkas Horn Competition started in 1992 at the Franz Liszt Academy in Budapest. After retiring from Indiana University in 1982, Farkas continued to perform and give clinics. He was awarded an honorary doctorate at Eastern Michigan University, also in 1978. After beginning his collaboration with Holton and moving to Indiana University, he sold his share of the business to Schilke, and then helped design a collection of mouthpieces for Holton.įarkas was a co-founder of the IHS, and in 1978, he was elected an IHS Honorary Member. In 1947 he and trumpeter Renold Schilke founded a business called Music Products, Inc. He experimented his entire life with horn and mouthpiece design. In addition to the many orchestral recordings in which Farkas can be heard, he made a few solo and chamber recordings and can be heard in advertising jingles and in Nat King Cole's Portrait of Jenny.Īmong Farkas' other accomplishments was designing the Farkas Model horn and mouthpiece. He advocated knowing their weaknesses and working to make them strengths i.e., "Take the problem and practice it to the extreme."
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Farkas believed that to be successful, horn players needed technique, musicianship, and the courage to play in public. His next major publication, The Art of Brass Playing, Farkas published himself and established Wind Music, Inc. A few years before, he had published The Art of French Horn Playing, which became known as the Bible for horn players and is a fixture in almost every horn player's library. After so many years of orchestral playing, he said, "I would rather quit several years too soon than 10 minutes too late." During his time at Indiana, Farkas played and toured with the American Woodwind Quintet and during the summers played in the Aspen Festival Orchestra.įarkas had a significant reputation as a teacher when he moved to Indiana University. Then in succession, he played first horn with the Cleveland Orchestra (1941-1945), the Boston Symphony Orchestra (1945-1946), back to Cleveland (1946-1947), and finally back to Chicago (1948-1960).ĭuring this time, Farkas taught horn privately and at the Kansas City Conservatory, Cleveland Institute, DePaul University, Roosevelt University, Northwestern University, and finally, after leaving the Chicago Symphony in 1960, at Indiana University. In 1936, he became first horn in the Chicago Symphony Orchestra, the youngest member of the orchestra, until 1941. He began studying privately with Louis Dufrasne, a great horn artist of the time, and playing with the Chicago Civic Orchestra.įarkas began his career as first horn player in the newly formed Kansas City Philharmonic, not having finished high school, in 1933.
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In 1930, Farkas became a student at Calumet High School and played in the band and orchestra there, as well as in the All-Chicago High School Orchestra. The year was 1927.įarkas' first horn teacher was Earl Stricker. Farkas loved it immediately, and at that point Farkas decided he wanted to become a professional horn player. Farkas and his father went to Chicago and rented a Schmidt horn for $3 a month. Farkas asked what instrument would be allowed, and the conductor pointed to a horn case.
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He took the streetcar to school until one day the streetcar conductor refused to let him on with the tuba. The troop needed a bugler, so Farkas volunteered and remained a bugler until age fourteen.Īt about that time, Farkas started to show signs of asthma, and his parents thought that playing a wind instrument in the school band would help. At age twelve, Farkas joined the Boy Scouts. His parents were not musically inclined, but his mother thought piano lessons were important. Philip Francis Farkas was a legendary principal orchestra player, a leading teacher, author of a book known as the Bible for horn players, and a co-founder of the IHS.įarkas was born in 1914 in Chicago.